Title tracks have always had a weird appeal for me.
I’m not sure what it is. They come from no different stock, no different area, and sometimes don’t even become singles. And if they are singles, they’re often not a hit. And even when they are, they usually get radio play right behind the popular single.
Some of it’s the common placement on the album, which is right near the middle. The first example up there from Los Campesinos!‘s new album, is the third song on the album, and defines the sound of the rest to a larger degree than the first two. Comfort Eagle, the only Cake song I actually still listen to, is 7th (Out of 11), about the point you’re finding yourself in a slurry of slower-paced songs. It’s a hell of a pick me up.
Maybe it’s something inherited from other things I consume, media-wise. Titles are always important in books and video games, and therefore the song must have a special weight to it to be the name of the album, even if that’s not actually true.
This is definitely the same kind of thinking that leads me to arguing about setlists and album placements with people, as if they mean something. All it really does is help things flow better, and the title has nothing to do with that.
I’m not really sure what it means, but enjoy the examples above, and I’m going to try to resist my impulse to skip right to the title track in the future. After all, skipping ahead totally screws up the flow of the album.


